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]]>By: SonyCine Team
LOS ANGELES, CA – July 13, 2022 – Through extensive feedback from industry professionals, Sony Electronics Inc. is pleased to announce a new software update (Version 2.00) for the FX3.
This new software introduces professional cinema line features into the camera, including additional Log shooting modes, user LUT (Lookup Table) importing, timecode sync with dedicated adaptor cableii, and advanced functionality that is consistent with the Cinema Line Camera workflow and enables ultimate creative freedom.
Award-winning documentary filmmaker Mark Bone gives an overview of the FX3 v2
FX3’s new Log shooting modes with LUT monitoring create a smoother post-production workflow by enabling Cine El, Cine El Quick, and Flexible ISO modes for recording with the S-Log3 gamma curve. Flexible ISO is a quick and easy mode that allows users to change the ISO to make exposure adjustments. Cine EI and Cine EI Quick are modes that use the camera’s base ISO of 800/12800. Both Cine EI and Cine EI Quick modes produce footage that can be adjusted in post-production to balance highlights and shadows while taking advantage of the wide latitude of S-Log3. All three modes allow video shooting while monitoring with an appropriate LUT to preview the final image.
Additionally, this update includes preset LUTs, like Sony’s s709 and maintains popular picture profiles such as S-Cinetone. For additional creative freedom, users can import their own LUTs. These imported LUTs can be used to not only preview a final image but can also be included into the footage when registered as a picture profile.
This latest software also features additional updates for advanced usability, including:
New list-style main menu screen which provides quick access to frequently used items
- Instant Function (Fn) menu display by swiping up on the screen
- New standby movie screen provides an unobstructed view of the subject
- Timecode sync and input with a dedicated adaptor cable
- AF (autofocus) assist function to smoothly switch between auto and manual focus
FX3 now includes added functionality to assist with the creative workflow, such as post-production editing using embedded LUT and EI (exposure) metadata. In addition, two types of shot marks have been added, allowing users to mark specific takes or scenes.
This new software introduces professional cinema line features into the camera, including additional Log shooting modes, user LUT (Lookup Table) importing, timecode sync with dedicated adaptor cableii, and advanced functionality that is consistent with the Cinema Line Camera workflow and enables ultimate creative freedom.
Award-winning documentary filmmaker Mark Bone gives an overview of the FX3 v2
FX3’s new Log shooting modes with LUT monitoring create a smoother post-production workflow by enabling Cine El, Cine El Quick, and Flexible ISO modes for recording with the S-Log3 gamma curve. Flexible ISO is a quick and easy mode that allows users to change the ISO to make exposure adjustments. Cine EI and Cine EI Quick are modes that use the camera’s base ISO of 800/12800. Both Cine EI and Cine EI Quick modes produce footage that can be adjusted in post-production to balance highlights and shadows while taking advantage of the wide latitude of S-Log3. All three modes allow video shooting while monitoring with an appropriate LUT to preview the final image.
Additionally, this update includes preset LUTs, like Sony’s s709 and maintains popular picture profiles such as S-Cinetone. For additional creative freedom, users can import their own LUTs. These imported LUTs can be used to not only preview a final image but can also be included into the footage when registered as a picture profile.
This latest software also features additional updates for advanced usability, including:
New list-style main menu screen which provides quick access to frequently used items
- Instant Function (Fn) menu display by swiping up on the screen
- New standby movie screen provides an unobstructed view of the subject
- Timecode sync and input with a dedicated adaptor cable
- AF (autofocus) assist function to smoothly switch between auto and manual focus
FX3 now includes added functionality to assist with the creative workflow, such as post-production editing using embedded LUT and EI (exposure) metadata. In addition, two types of shot marks have been added, allowing users to mark specific takes or scenes.
This metadata is available using the latest version of Sony’s Catalyst Prepareiii or Catalyst Browse applications. A new “Catalyst Prepare Plugin” for Adobe Premiere Pro is scheduled to be released in August.
Availability: now – find it below:
Notes:
iThe latest version 2022.1 of the Sony’s Catalyst Prepare* or Catalyst Browse applications is required. (*Software download page URL) https://www.sony.net/disoft/
iiTime code sync will need an exclusive adaptor cable, VMC-BNCM1. For further information, please check the support page: Support for ILME-FX3 | Sony USA
iiiSoftware download page URL: https://www.sony.net/disoft/
Managing user LUTS
Importing user LUT
User LUT imported
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What is the Sony FX3?
When I first saw the leaked images of the Sony FX3 I thought; this is for gimbals and the coming Sony Airpeak drone (article here) and I still think I’m right. The FX3 is basically a7SIII in a new EVF-less body. It only has a flip screen. 4K/120P, XAVC SI 4:2:2 10bit S-Log3, and HDR video, 16-bit RAW HDMI output, and S-Cinetone. Full specs below.
The official Sony release video:
The new FX3 comes with a handle. The handle looks a lot like the K3M function-wise. In addition to the camera’s built-in microphone, you can use your choice of shotgun microphones which are connected externally via the full-size XLR connectors on the handle through a digital audio interface via Multi-Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel. The handle also has several 1/4-20 UNC mounting points just like the camera.
It also has a new heat dissipation system according to Sony. Heatsink placement, airflow structure, and a silent cooling fan work to optimize cooling even during long shoots. Check out the video from CineD’s Johnnie Behiri here: https://www.youtube.com/watch?v=B7jPZZKmLMA – he’s had the camera for a while and shot with it.
Full specs
- 10.2 megapixel[i] full-frame back-illuminated CMOS Exmor R™ sensor and BIONZ XR™ image processing engine
- Ultra-high sensitivity with ISO expandable to 409,600 for very low light conditions and 15+ stops of dynamic range[ii]
- S-Cinetone™ look profile which is inspired by the digital cinema camera VENICE’s color science, also used in FX9 and FX6 Cinema Line cameras, and records up to 4K 120p[iii]
- Compact and lightweight body design with high operability for hand-held shooting, gimbal, and drone-mounted work
- Multi-thread (1/4-20 UNC) body makes it easy to mount accessories
- Detachable XLR handle unit with two of XLR/TRS audio input
- “Active Mode” image stabilization [iv] supports handheld movie shooting
- Fast Hybrid Auto Focus, Touch Tracking (real-time tracking), and Real-time Eye AF, also used in other Alpha™ cameras
- Uninterrupted 4K 60p recording (Continued)[v] by Effective heat dissipation and built-in cooling fan
Full presentation over on the Sony website: https://www.sony.co.uk/electronics/interchangeable-lens-cameras/ilme-fx3
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